I'm gonna go with a less obvious one, Dead End. A kickass horror movie that gets under your skin. When i first saw it i thought it was some generic movie or something and didn't really expect much but boy was I wrong. It stars Ray Wise from Twin Peaks who does an awesome job.
The premise is simple, a family of 4 and the daughter's boyfriend are driving on Christmas Eve to visit relatives. It starts out like it's gonna be one of those wrong turn slasher movies and then it goes crazy and all over the place in the most unpredictable way. The characters are fighting and arguing and neither one of them seems to want to be there: there's the angsty teenage boy with headphones on all the time, the sister with her oblivious boyfriend, the calm passive aggressive mother and the father who is sick of everyone but is doing his best to hold the family together.
They end up driving on a long country road that doesn't seem to go anywhere, followed by a creepy mysterious black car. It doesn't scare you with the usual gore and jumps, most of the film takes place inside and around the car.
The best thing about this movie is that it fools you with some humor and gets your guard down and at the same time it starts creeping inside you and you start getting this strange itchy gut feeling and you find yourself holding the edge of the couch or bed real tight involuntarily; instead of jumping at you the scare simmers inside you and grows until it makes you beg for a pause in the action. The humor isn't just some throwaway trick, the dialogue is great and the chemistry between the actors is also great; they are a believable family and their reactions also seem real and unforced. Because the movie does not follow any typical guidelines and cliches it doesn't let you guess what's going on.
When i saw this movie I went from a jaded horror movie fan who thinks he's seen everything to feeling like a little kid watching tv at night alone and seeing his first scary movie, almost like a horror virgin (I think that's the best i can describe the experience).
Another great thing about it is that the movie doesn't get up it's own buttocks, it's smart and clever but it isn't afraid of being campy at times. I doesn't pretend to be Shakespeare, it's there to do it's job and it does a great one. It has some gore not a lot but just the right amount, the ending could have been a little better but I won't say it's bad, it just could have used a little more work.
If you want to watch it do it either by yourself or with a date or another person but don't watch it in a group because it may get ruined, it doesn't go as well as nightmare on elm street or friday 13th do at parties.
There it is, hope you guys have a great Halloween and I'll be checking out this thread for movies I haven't seen. Thanks for the awesome contest idea.

Texas Chainsaw Massacre the original, it does so much with so little,it's not gory and alot of things are implied but that is what made it so freaky because it leave so much to your mind.

Midnight Meat Train created by Clive Barker this had to have been one of the most sickest and twisted horror films I saw in some time yet it was just so well done, well paced it balanced gore and violence with good pacing, writing and solid acting. The story revolves around a man who took the wrong subway car and well.

trailer: http://www.youtube.com/watch?v=QHvnWuQQidg

One gruesome scene: http://www.youtube.com/watch?v=TTOQc4ST67c

Audition -while not quite a horror film or was not meant to be a "horror" film it's still pretty horrific, it's one of those films that loves to mess with you. the film starts off as one of those sappy romance films centering around a window man seeking a new wife and it slowly decends into some dark stuff.

Trailer:http://www.youtube.com/watch?v=yhsrsWcEspc

The Wicker Man(the original 1973 film not the remake with Nick Cage) again this is another one of those films that builds to a twisted ending but it's not one that comes out of left field instead when it comes it's more of a "ohhh all the pieces fitting together" type of things, it's not gory or over the top more of s suspense type of horror plus it has Christopher Lee in it so that should tell you something.

Trailer: http://www.youtube.com/watch?v=5FdV-O8o7ok

John Carpenter's the Thing - A great, great movie it's gory but not in a "gore for the sake of gore" type of way, it has this great way of making you feel isolated and questioning till the very end who is really who.

Re-animator - more of a horror dark comedy but still pretty damn good,it's based on H.P. Lovecraft's Herbert West Re-animator.

Trailer: http://www.youtube.com/watch?v=sLTerEBE6h0

Phantasm- weird, bizarre and surreal and yet engaging shame that the sequels only seem to keep the weirdness

For me, watching horror movies is often accompanied by a ridiculous amount of eye-rolling, either because the characters have no sense of self-preservation or because of the ridiculous ways in which they get offed. Probably because I've mainly watched paranormal stuff. I will however point out a few highlights:

SPOILERS AHOY

The strangling scene in Final Destination (the first one) was top notch if a little prolonged. It actually made me shut up and pay attention. The movie was worth watching just for that scene.

Let The Right One In is not scary. At all. Dispite all the horrible things that happen. It's creepy. The kind of creepy when you watch something you know is wrong/horrible and yet a small part of you just wants to cheer for the perpetrator. It sneaks up to you like a sweetly poisonous abusive relationship. And let me tell you, that's far more scary than whatever could possibly be portrayed on screen. To me that's A Horror Movie Done Right TM.

Ringu (the first original movie not that ridiculous excuse of a remake). I usually avoid asian horror of this type like the plague, because one way or another it always boils down to some random incomprehensible evil. Plus, I keep sensing an underlying attitude of "who cares about proper story-telling, let's obfuscate things just to screw with the viewers". And yet, strangely, Ringu works, because of the almost minimalistic way in which it approaches Sadako's curse and most importantly because being the protagonist doesn't mean you can get away with your hands clean. Sadako's real curse isn't death. It's corruption/taint.

Edit: I have to add this even though it doesn't exactly qualify as horror (but it does have horror elements).

El laberinto del fauno is a wonderfully dark drama and a wonderfully dark fairytale and the horror elements are also wonderfully dark, and gosh darn it, it's just wonderfully dark overall. It doesn't pull any punches and it doesn't cheapen itself by adding a happily ever after or any such nonsense. Watch it with a significant other and bawl in each other's arms like idiots. Or try not to. It's hella worth it either way.

Aw, damn, so many of my favourites have been listed; I will list the ones I like for ideas for you to watch, then I'll post my shameless marketing for my entry:

1) Evil Dead Trilogy
2) Let the Right One in
3) Bad Taste
4) Dead-Alive
5) Nightmare on Elm St. 3: Dream Warriors
6) Night of the Living Dead
7) Day of the Dead
8) Parasite Eve (yes it was a film)
9) The Thing (one of my all time favourites)
10) Children of the Corn

However, the one I would like to talk about is, a little film called Pontypool. Based on a novel called Pontypool Changes Everything by Tony Burgess. While the film is VERY different from the original book, it manages to amp up the tenseness and horror of the situation by going from a global pandemic to the ground floor of the epidemic.

It limits the knowledge of how far wide spread the problem is and condenses it into a single set, a claustrophobic environment and atmosphere, and most of the information is fed to you as it is fed to the characters. It is a minimalist approach to film making and by the gods it WORKS. For most of the film (minus extras used for the limited crowd scenes) the cast is limited to 8 characters. Have I peaked your interest yet?

Now, without going into spoiler territory (or at least keeping it to a minimum), it is a zombie outbreak movie. "Oh", you probably reply, another one of those. Yes it is very much indeed "one of those", but also...it isn't. This is no typical run of the mill zombie film. It is, in fact, a very special type of zombie movie, one that is a rather disturbing premise.

Now for the plot, or at least a very basic explanation to avoid any major spoilers. The film centers around the small town of Pontypool, Ontario. A small town (which actually exists) just like any other small town. The main characters (for the most part) are Grant Mazzy, a radio shock-jock, Sydney Briar, and Laurel-Ann Drummond, his co-workers. With the exception of the start of the film, it takes place entirely in a radio station during a cold winter day. As information slowly pours in, increases in violent crimes occur and riots are said to have begun. What you learn is that a virus is spreading, but no ordinary biological agent, this one spreads through speech. More precisely, it is transferred through words. How is this happening, how does the virus work, what will happen? Well my friend, you'll have to watch the movie and find out if you wish to know.

It is a rather scary premise, something intangible like language could be the spread of a virus that could wipe out humanity. When it's something like blood, or saliva, things one can avoid it's really not so bad, but this, communication being the means of transmission, now THAT isn't so easily avoided. It also can be looked on as a social commentary on the effects that language and communication can have on the world. Words can hurt just as much as they help, and you also see the true dependency on communication, especially language. And, the speech given near the end of the film is absolutely brilliant.

I LOVE this movie, it is haunting, dark, gritty and disturbing. This is a TRUE horror film (much in the vein of The Thing, or the works of H.P. Lovecraft), where it delves into paranoia and the unknown to scare its viewer/reader. The first time I saw the film, I was very skeptical at first knowing how much it deviated from the book (which is really good too), but after watching it I can safely say that it keeps the spirit of the story and does it justice.

Hell, even the sense of claustrophobia and paranoia as to what's causing the outbreak is fantastically conveyed. Pontypool really can "change everything" when it comes to how scary losing something so valuable can be.

Alien

It is difficult to choose one of my favorite movies, but Alien would probably be one of the candidates. With the right mixture of horror and science fiction that has inspired so many films and games. Starting with the asphyxiating atmosphere, labyrinthic, dark and narrow corridors of a lost spaceship, through the creepy music and ending with the nature of the monster itself. And what a monster, a stealthy devouring creature, I hope you don't find it in your bathroom.

I feel something strange in my stomach, I will go and see what it is

Dawn of the Dead (2004).

Two words: Fast zombies.

And the setting mostly takes place in a shopping mall. Throw in some music from Disturbed and you've got a pretty good horror movie =)

My wife and I watch this movie occasionally and we both agree that it's our favorite zombie movie. If you haven't seen it, I think there's a good chance you'll like it.

28 Days Later

I'm a big horror fan. I love classic Hammer films, Italian horror from Mario Bava and Dario Argento, 80s horror, etc. I think that horror movies, when done correctly, can have great social commentary along with dramatic aspects, character development, and of course thrills.

28 Days Later came out about 10 years ago. Before then zombie films portrayed said zombies generally as slow, dimwitted brain seekers. I love that 28DL created this new concept of "the infected", who are fast, aggressive, and ruthless.

The entire film's premise is a bold commentary on the human condition. The beginning of the film shows a research lab where chimpanzees are infected with a virus called "Rage". The chimps are shown constant images from newscasts around the world, all of violence. In these opening moments we see what the movie is about, an of course a chimp attacks someone in the lab (a protestor, actually) thus creating the spread of the virus.

I won't go into many plot details, but the protagonist Jim wakes up naked and alone in an abandoned hospital after being in a coma. It's been 28 days since the outbreak. Some of the opening shots are amazing - abandoned churches with apocalyptic messages written on the walls, deserted streets, and a completely quiet and empty London. It's brilliant. Jim encounters an infected priest in the church, setting him on the run from which he's eventually saved by Selina and Mark. They'll later meet a man named Frank and his daughter, Hannah.

From here the movie gives us some nice character development as well as thrilling moments, but it's really in the second half of the movie where we go in a different direction. This is not a zombie film. The word zombie is never used. The Rage-infected people are quite a stark contrast, and there are some great conversations about what this means. Jim and the small band of survivors end up on a military base after responding to a radio announcement. There's a dinner table discussion which blows me away. The leader of the military camp, Major West, comments on how since the outbreak he sees people killing people. Yet, before the outbreak all he saw was people killing people. And for thousands of years before that, people killing people.

It's a scathing indictment of where we are headed as a civilization - violence is sadly a part of our lives. I've probably spoiled too much but the final act of the movie is incredible. There is some really iconic music you've probably heard in movie trailers or even other movies (listen here and turn up the volume!). I just love how the film takes risks and sets itself apart from other "zombie movies", even though it really isn't a zombie movie since it doesn't have zombies.

One could argue that 28 Days Later led to a sort of zombie renaissance in entertainment. But I think it's perhaps the best horror movie of the last decade. I love how it was shot digitally rather than with film. This lends the movie a sort of hyper realistic, gritty aspect. Danny Boyle's direction is brilliant. The movie helped launch Cillian Murphy's career, and it also includes the great Brendan Gleeson. Naomi Harris (Selina) will be in the upcoming Bond movie Skyfall as well.

If you watch 28DL you have to check out the "radical alternate ending" (search for it on youtube or on Google). It shows what the movie might have been in the last act, and while I like the film version better the radical alternate ending is an equally effective conclusion to the story.

BEST MOVIE EVA!

Thanks for the oppurtunity!!

let's start with some movies

the first i suggest is

Haze (2005) (49 min) directed by Shin'ya Tsukamoto knowing for movies like Tetsuo 1-2 and the bulletman,Tokyo Fist

A man wakes up to find himself locked in a tiny, cramped concrete room, in which he can barely move. He doesn't remember why he is there and where he came from. He has a terrible stomach injury and is slowly bleeding to death. He begins to explore the narrow confines of his prison and crawls around the maze-like room, only to see a horrible vision of hell waiting for him at each end of the room.

i suggest to see its really strange movie a sort of experimental movie

Shadow (2009) (77 min) directed by Federico Zampaglione

When a young soldier leaves for a mountain biking excursion he meets the girl of his dreams as well a group of violent locals who want to see them dead at any cost.

Deep Red (profondo rosso) (1975) (1 hr. 38 min.)

this film that has become the master work in Italian horror Dario Argento's canon, Deep Red holds up brilliantly despite the plethora of copycat slasher films it inspired in the years to follow. The film opens with a flashback murder shown from the perspective of a child while an eerie nursery rhyme plays. Cut to the present, pianist Marc Daly witnesses the murder of a psychic while chatting with his drunken pal, Carlo

Suspiria (1977) 1 hr. 37 min.

Suspiria weaves a menacing tale of witchcraft as a fairy tale gone horribly awry. From the moment she arrives in Freiberg, Germany, to attend the prestigious Tans Academy, American ballet-dancer Suzy Banyon senses that something horribly evil lurks within the walls of the age-old institution.

The Mothman Prophecies (2001)

Based on a book by paranormal investigator John Keel, this spooky, X-Files-type supernatural thriller is purportedly based loosely on true events that occurred in the small town of Point Pleasant, WV, in 1966-1967

this is not really horror movie but i suggest to see anyway

Kiss Meets the Phantom of the Park

Its Scooby Doo but with Kiss - Who wouldn't want to watch that?

First of all, thank you Azilut for such a great giveaway. As a cinephile and as a graduate student who studies film, I'm really happy to write about some of my choices in horror films. Since you've watched a lot of horror films, I will try not to mention many classic films. Also since I'm Turkish, I'll try to recommend some of the Turkish films you may not have seen yet. And I'll suggest one recent title that I loved watching.


1) Classics

There are many classic horror films, yet these films have a special place in my heart: Don't Look Now (Nicolas Roeg, 1973) and Repulsion (Roman Polanski, 1965). One uses Venice, and the other an apartment. But what an usage it is. The setting becomes the main actor. I have recently watched Roeg's film again, and it still is a powerful film as it was in the past. The lovemaking scene is still one of the best love scenes in world cinema. You could feel the loss of the couple's child in every breath, in every word, in every street. Repulsion is the ultimate horror film that describes the horrors of living in an apartment. It is way better than Polanski's similar efforts, Rosemary's Baby (1968) and The Tenant (1976). The scene that Catherine Deneuve is attacked is pure horror, pure hallunication, pure madness!

2) Turkish Horror Films

- Drakula İstanbul'da (Dracula in İstanbul, Mehmet Muhtar, 1953)

http://www.youtube.com/watch?v=QcL6tyOaMuQ

As far as I know, this film is the first vampire film of Turkish cinema. And I have read in
Giovanni Scognamillo's book, "History of Turkish Cinema" that this film is also the first film
in world cinema that showed the long canine teeth of Dracula! I have watched it years ago and was surprised to see that it has aged well. Even today's Turkish horror films fade away when they are compared to this film. Yes, Turkish cinema didn't shoot many horror films; yet this one still stands out, and it deserves to be seen by more people.

- Şeytan (The Exorcist, Metin Erksan, 1974)

http://www.youtube.com/watch?v=PGCZb6iE8SA

Turkish remake of William Friedkin's The Exorcist (1973). It's a cult film in Turkey. Metin Erksan is one of the most important filmmakers of Turkish cinema - he won the Golder Bear in Berlin with Susuz Yaz (Dry Summer, 1964) - so after the worldwide success of The Exorcist, some foreign film producers from Europe wanted him to make a similar film. He, however, made a remake! Of course because of the copyright problems they could not market the film outside Turkey. A funny film!

3) From Recent Films...

- Mientras duermes (Sleep Tight, Jaume Balagueró, 2011)

http://www.youtube.com/watch?v=l-cF3TcZ6fA

When I watched the film, I didn't know anything about it. I didn't even know that it's a horror
film. After I watched it, I knew that I've seen an excellent film. It's kind of Repulsion, but
you know that what's happening is real. How can one concierge wipe out the smile of a beautiful woman? Can he do it? The ingenious final answers the question. If I had to choose one horror film from the 2000s that I can recommend, I would have chosen this film.

Oboyoboyoboy.

DON'T LOOK NOW

A magnificently freaky and diabiolical thriller with Donald Sutherland and Jolie Christie. A young couple, having lost their little daughter in an accident (drowned in a pond), go live in Venice (Italy), where the news announce some weird disappearances, and where the husband think he sees his daughter at some corners of this labyrinthic city.

The whole movie has a haunting, tense, atmosphere à la Polanski (some suspicious characters remind us of Rosemary's Baby's neighbours), and an oppressing sense of mystery, but also a strong lyrism due to that magnificent city. In a way, that film is like a twisted, freaky love letter to Venice. The music is completely gorgeous, some heavy romantic piano by Pino Donaggio. The film was shocking when it went out, because of a very strong erotic scene, which I happen to see as the most beautiful (or the only beautiful) erotic moment in a movie ever : it's intertwined with shots of the lovers dressing up to go out after having made love, which strangely un-sexualises the scene and makes it immensely tender and moving. Alst the whole story, with its final twists, is so powerful that it really stays in mind for a whole life. It's an extremely potent movie, and one of my favorite cinematographical gems. And it's got Donald Sutherland and Julie Christie.

So, there. One.

Edit : damn. Don't look now already (righteously) mentionned. Will be hard to top.

Not entering, but +1.

I'm too scared to watch horror movies.

Its hard for me choosing a horror film as I have seen so many over the years, watched Evil Dead, The Thing and Alien when I was a mere 13 years old and I'm now 39!

So many favourites but nothing recently has really jumped out at me, I always go back to the classics like American Werewolf in London, Demons, The Fog & The Lost Boys etc. More recent favourites have been mentioned already in Event Horizon, theres also 1408, a great ghost story with John Cussack, 30 Days of Night 9vampires are literally evil in this, hunting for food, non of this twilight style teeny vampires and werewolves) and Silent Hill which captured the first games atmosphere perfectly with sound, script and the setting alone.

So looking through my vast DVD collection on my right currently I am going to recommend the classic werewolf flick The Howling

Why?

Well at the time werewolf flicks were still pretty cheesy with the exception of American werewolf a few year later. This had everything you could want from a horror flick of its age.

The main protagonist was a serial killer called Eddie the Slasher, a reporter went to interview him, he gets shot then disappears.

Reporter starts digging and goes to a retreat, which she later in the film finds out is a colony of werewolves who are trying to fit in with society but things have been going wrong recently.

There are some real stand out moments that make the hairs stand on the back of your neck, while investigating the retreats doctors office a huge clawed hand grabs the documents out of the reporters hand, lo and behold its Eddie in werewolf form, Its just intimidating and creepy due to low lighting. At which point he tells her that he wants to give a piece of his mind for the snooping, to do this he drives a clawed fingernail into his temple pulling out a bit of his brain. Its pretty witty and has a whole serial killer mentality about the entire scene.

The wolves on this stand like people, built to look like they are real predators, thing is though the whole story just gels and works as a thriller as well as an out and out horror.

If you have never seen it I would seriously get it and watch it.


I would say look at John Carpenters movies when it comes to story and open ended movies and also look into Dario Argento (Italian horror directer and writer) He tends to go for sheer shock value in movies he wrote like Demons 1 & 2, I can't bring myself to watch them through start to finish to this day, they just creep me out, especially Demons 2.

THE ECLIPSE

Also one of my favorite movies, but I'm not sure if it qualifies as a horror movie. It's a magnificent story about how we cope with death and loss, and it treats this subject through the most obvious way we do : ghosts. Not in the traditionnal sense, but apparitions that can be our imagination, or our dreams, or some other emanation of guilt, telepathy, omen or parallel reality. It's very underplayed in this highly subtle movie, that is mostly about a litterary event where writers are invited for a few public speeches, and one of the organisers, who has lost his wife recently and is currently losing his father, builds some bond with one of the female writers. That film conveys a strong sense of loss and solitude, and deals with human relations in a very delicate manner, and faces the issues of mourning, guilt and absence in a way that stays as close as possible to real life, including the surreal subjective aspects of it.



______________
Let's add some other favorites. I skip all Polanski because Polanski is too awesome to count here, that would be not fair. Just, "Dance of the Vampires", "The tenant", "Rsemary's baby"... they're amongst the best films ever, atch them when you can, if you haven't. I won't mention "The changeling" (a creepy ghost story) or "Comminion" (an alien abduction thing) because, while I found them terrifying, that was too long ago, I can't trust myself anymore and don't remember them precisely nough. So, worthy of mention :


STRIGOI

I'm interested in real vampires, that is, in actual folkloric beliefs surrounding them, which are quite far from the hollywood imagery and bram stoker's redefinitions, but have more to do with ghosts, bad deaths, and social norms. A vampire in romania is basically a person who has shown abnormal greed during his life, and whose dead body will show the same lack of restraint. In post-USSR europe, conflcting values such as social solidarity versus individual enterprise make a good background for vampiric themes, and this movie exploits it interestingly. A young man comes back to his village, to find that everybody keep some secret related to the death of a local businessman. He gets to re-learn the local superstitions and beliefs about vampiric behaviours, and has to position himself towards these and their potential share of reality. It's a weird film, with a specific east-european rural atmosphere, only marred by the weird choice of having all actrs speak english (with romanian accent) instead of being subtitled. Anyway, it's a rare take on vampirism, going back to the actual folkloric roots of it, and it echoes pretty precisely the ethnographical litterature I've been studying on that matter.

________________


ANGEL HEART

A private investigator is asked to locate a disappeared ex-singer in New Orleans, and will be confronted to a think mystery involving voodoo and devilish supernatural hypotheses. Again, a movie with a specific regional atmosphere, masterfully reconstructed by Alan Parker. It's a completely dark story, with a masterfully controlled descent to hell, implied by a subtle crescendo of visions, weird encounters, and violent events, weaving some more and more opaque spider web around the protagonist and the public. One of the most nightmarish movies I've seen, that makes you feel like plunged into darker and darker smily waters, losing more and more hope to ever breathe again. But, again, it's Alan Parker. That guy knows how to provide experiences which impressions will last on you.


____________________

CUBE

A very simple, very abstract, premise : a bunch of people suddenly find themselves, for no reason, in a labyrith of cubic rooms, filled with deadly trap. They try to survive through them, and hopelessly attempt to comprehend what is happening, and to draw hypotheses on why, as the dynamic of their interactions tirn for the worst, and the action movie cliches are dramatically subverted. Don't mind the sequels or prequels, this powerfull little allegory is self-sufficient, may make you question some aspects of the society we contribute to build, and the values we attribute to our popular role-models. Plus, at a purely superficial level, it's highly enjoyable in its sheer gruesome brutality and its appearent gratuitousness.


____________________________


THE SERPENT AND THE RAINBOW

An attempt at making a film about voodoo and zombies in the strictest sense : dealing with them as the haitian (poltical) belief they were before being redefined by Romero. It's the story of a quest to find the zombifying powder that is supposed to turn people into undead slaves, in a politically torn Haïti (before the fall of Duvalier's dictatorship), when sorcery was instrumentalised as a tool of intimidation by the governmenmt's tonton macoutes. It's of course a thriller movie, far from being a documentary, but, like Strigoi, it takes its roots in the actual local beliefs and setting, instead of the purely exterior image we make of it. So, if you've got a bit of interest for haitian voodoo, let's say this is better than your average starsky & hutch episode.

_______________________


Oooh so many other favorites.

The Shinning

"Don't you mean The Shining?"

"Shhhh boy! You want to get sued?"

The Simpsons Tree-house of Horror is a great series of fun comedy and spooky stories. There are usually 3 short stories in the 22 minute show. Among my favorites is an episode where Lisa puts a lost tooth in a cup of Coke and watches a miniature civilization grow up out of it. They think she is God and Bart is Satan, and their rapid growth of technology becomes a problem for the two.

Be prepared to bust a gut and revel in some shameless gore with the whole Simpson's cast.
-----------------------------------------------------------------------------
I almost did Event Horizon. I'm glad a few others did. That movie is danged scary. I saw it alone at 3am and it really got me.

Also, if you ignore the last 15 minutes of The Strangers, it's a great movie. People die and get hurt only b/c they are scared of what might hurt them. Pretty brilliant. But probably accidental b/c the writers totally changed everything for the last 15 minutes (probably the production house made them).

And The Exorcism Emily Rose got me, too. Every night at 3am, I'm like, "What time zone do the demon's use?" :D