Sarang: Apparently "Gravity Rush" is getting the movie treatment and if I see some fake woke bs treatment they will have earned my antipathy for the rest of my life. Do we know if the language in "Gravity Rush" is an actual full on created language or not?
Anyway other things I'd like to see changed in the Japanese game industry is talented writers to be seen like Mizuguchi, not just artists. It burns me Nomura-san has more respect than Kawano-san. I think the arcade will come back because people will end up more broke as a joke and arcades will be cheaper...at least they won't be able to afford DLC anymore.
Lastly like what I said about the old guard...would you fire or let go of people that are the video game equivalent of Buster Keaton, Charlie Chaplin, Akira Kurosawa, Eisenstein, etc.? I sure wouldn't fire those people or put them in a corner, I would still have them work on major projects and have them mentor people too.
I find it pathetic that Miyamoto is the only one LEFT of all those at the old game companies...Naka, Suzuki, Kojima, etc. all are gone. Konami kicking Kojima-san out was one of the dumbest decisions they ever made especially considering how CHEAP MGSV was at the time compared to its contemporaries. I mean it cost $80 million when many games had and now do, cost over $100 million easy.
As for EnixSquare, that fool keeps investing in NFT's. I wonder if they're going to be the first to try being stupid to throw people in prison for downloading ROM's due to that nonsense, that they should pay some ridiculous price because the game is furthermore an NFT that NO ONE asked for.
Gravity Rush shouldnt be changed since it already hits alot of woke checkmarks imo. I would honestly prefer a Japanese director make the movie though since some manga to film adaptations in Japan have gone well but not so much for Hollywood. Regarding recent video game adaptions:
- Arcane - never played the game but its apparently focused on the backstory of popular characters and also retconed them a bit
- TLoU - probably the best argument but if any IP can transition to film/tv, its this one. It is basically a video game adaptation of the film The Road
Yeah, the language is fictional but inspired by French.
Im fine with the current approach. The focus should be on gameplay and while a good story is nice, I really dont think or like that it is slowly becoming more of the main selling point with more money being spent on it (see new Sony games). Sure the story for GoW is decent but it should come at the expense of almost every boss being a troll.
While it sucks that these amazing people left the major studios, I do think that in some ways its a blessing in disguise for us gamers (thinking positive). They are no longer restricted by the corporate BS of having to make money implementing a checklist of features (open world, kid, leveling system, battlepass, etc.). Since the cost of game development has gone down, these superstars are establishing their own studios and have been making bangers.
PlatinumGames was established by former Capcom superstars Mikami (first Resident Evil and Dino Crisis), Inaba (Okami, Viewtiful Joe, God Hand), and Kamiya (Devil May Cry) and is now basically the go-to studio for action. Sakaguchi founded Mistwalker and makes games, citing dissatisfaction with management as another reason for why he left along with the Spirits Within flop. Konami is the big loser from the Kojima fallout, their first game Death Stranding already a hit with a sequel. Konami was going through the transition to leave video games and focus on pachinko which I think Kojima would have hated anyway. The only shame is that MGSV didnt get its third act. Its still a great game but that ending would have been cool.
Hell, I do think its the indies and smaller studios making waves and good games now while the major studios really arnt doing much. Kind of a testament to Nintendo for still making bangers, probably because their greats are still at the company.