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Leucius: EDIT: For anyone that would like some free music, since it's obviously getting buried in the ninja thread, here's my link: http://www.gog.com/forum/general/ninja_giveaway/post66761
Thanks for the link. I used one of the code. Downloading now.

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Leucius: If I were a worse man, I'd barrage you with stuff. I had no idea you're a music journalist.
If you were better at self promotion, you'd actually do that. :) I have a friend who had a period of song writing and he sent them to every local and national radio station and pestered them incessantly until they actually put some of his songs on the air.

And I'd suggest putting newer songs on YouTube, where people can easily find them.

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Leucius: Interesting, I've never really listened to Todd Rundgren. Thanks, though :)
I actually had a "hey, I remember that name" moment. Still didn't remember any song.

Ah, I had an idea that I knew his name because it was somehow computer related and some googling helped. Todd Rundgren's Change Myself was the first fully 3D generated clip, and it was done on an Amiga. As an Amiga owner at the time I'm sure that put his name in my mind.
Post edited March 19, 2014 by ET3D
I've listened to some of the album I downloaded, and what bothers me mostly is that it doesn't sound clean. A Kiss Goodbye was perhaps the worst offended with those strange scratches, but everything had something which sounded like playing off beat or other such stuff. I don't know, maybe it's a style and it's deliberate, but I can't tell, to me it just didn't sound good.
Post edited March 20, 2014 by ET3D
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Leucius: So since we have musicians, game developers, writers, etc here, I thought I'd start a thread for those of us who for reasons of one or another, do what we do but are not famous or rich.

I'd like to introduce myself and share a little bit about myself, my musical history, and where I'm at now.

My name's Tim, I'm the guitarist and occasional vocalist for Tim's Midnight Mile. Previously I called my "band of one" T Coleman. I changed names because I do not want to be associated with the Coleman name, for personal reasons.

I've been playing guitar and writing poetry on and off since the age of 14. I'm not the best, but I try to do what I do with heart. I've been accused of self promotion (Duh, how else do you promote when none of your friends will do it for you) as well as being too dark and brooding in some of the tracks I've recorded with vocals.

I've always been under the impression that music serves to tell a story. I used to want to change the world with my music, and wrote songs fitting to do so, including the nonfamous "Ignore Your Rights and They'll Go Away" which you will not find anywhere because I never uploaded it. After being accused of being a depressing sod, I stopped recording vocals and focused on instrumentals.

I currently offer my songs as PWYW, with a base price of zero dollars and zero cents. I'm struggling to come to terms with the fact that maybe this is just a hobby after all. The last track I uploaded and looked at stats on, even after posting to a few threads around the net, had 2 downloads, one of which was from my best friend.

I used to be under the assumption that if you create decent music, someone, somewhere will support you. I'd like to think my music, while maybe not being extraordinary, is at least decent. I've found that unless you sell out, no one supports you, at least no one has supported me.

I've also found that people will tell you anything to get themselves off the hook. I have one friend I rely on that gives honest, constructive feedback, and the rest of my friends say "I like it" or say nothing at all, and none of them pay for it. No one ever pays for my music, in fact, but I digress. Going back to the point of this paragraph, people will say to me often "I will buy your music when I get some extra money" or "I really like that track, I'm definitely going to buy it and give you a little something extra" 3 years later and it was all horseshit.

I've learned through music not to trust anyone when they're stroking my ego, and that in truth, they probably think I suck as a musician but don't want conflict so they make empty promises thinking 6 months later I'll forget. I didn't.

In reality I work a regular job to support myself and pay the bills, and the music is secondary. I am not a "Lucky one" who made it even remotely. I tried a couple of kickstarters and both failed miserably. I invested in better recording software after some feedback on these forums about background hiss, and so far I haven't made my money back.

I have been on the verge of selling my guitar several times. I don't have drum and bass, I don't have pop lyrics, I just have me and my guitar, and I guess I was stuck in a time warp from the 60's thinking it would be enough. It isn't.

I suppose I'm free now, knowing that, again, outside a small group of people, no one gives a shit. Now I can focus on more important things than music.
Never mind.
Post edited March 20, 2014 by monkeydelarge
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Leucius: This was supposed to be a thread for fellow starving artists to share their stories. Not a "let's give Leucius pointers" thread.

The tips are appreciated, and yes I already have a job, which I stated in the OP :)
Sorry. I didn't see this post until after I wrote the post that used to be above this one. :( I'm not an artist yet, unfortunately.
Post edited March 20, 2014 by monkeydelarge
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ET3D: I've listened to some of the album I downloaded, and what bothers me mostly is that it doesn't sound clean. A Kiss Goodbye was perhaps the worst offended with those strange scratches, but everything had something which sounded like playing off beat or other such stuff. I don't know, maybe it's a style and it's deliberate, but I can't tell, to me it just didn't sound good.
Yes, that is the style. Also, you keep telling me you don't like how my music sounds. I got it the first time ;)

EDIT: Also, for non guitar players, the "scratch" you hear on some of the tracks is the sound of my fingertip rubbing against the guitar string when I move to different frets. It's quite common in American rock and roll.

The off-beat timing is by design. Perfection through imperfection, it's a means to an end which is to portray Americana music in a coffeeshop environment.

It is not, and never was meant, to be perfect. I did not use auto tune on my vocals (that should be obvious) and the guitar was recorded in single-sitting takes. As in, the whole rhythm or lead track is recorded in one sitting, there are no cuts or splices. This is something I pride myself in, the spirit of 60's and 70's of single sitting takes and getting the soul right, not necessarily the timing.
Post edited March 20, 2014 by Leucius
SO I took some advice, and uploaded several of my pieces to youtube. I was hoping to find someone who would be interested in making movies, but that responsibility fell on myself, so the "movies" are really just title, song, credits, with a picture.

Here's the link to the song I recorded today. https://www.youtube.com/watch?v=sZOG_WVaBHg
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Leucius: Yes, that is the style. Also, you keep telling me you don't like how my music sounds. I got it the first time ;)
Well, the first time you said what I listened to wasn't representative, so I figured it was worth saying again. :)

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Leucius: EDIT: Also, for non guitar players, the "scratch" you hear on some of the tracks is the sound of my fingertip rubbing against the guitar string when I move to different frets. It's quite common in American rock and roll.

The off-beat timing is by design. Perfection through imperfection, it's a means to an end which is to portray Americana music in a coffeeshop environment.

It is not, and never was meant, to be perfect. I did not use auto tune on my vocals (that should be obvious) and the guitar was recorded in single-sitting takes. As in, the whole rhythm or lead track is recorded in one sitting, there are no cuts or splices. This is something I pride myself in, the spirit of 60's and 70's of single sitting takes and getting the soul right, not necessarily the timing.
Can you give me some examples of these scratches and off-beat playing in the music of some major artists? (By "major artist" I mean someone you like who's sold a few albums, and by "give me some examples" I mean links to things I can listen to.)

Edit:

What I'm trying to understand is whether it's just a matter of my taste or it's the imperfection of your imperfection which is giving me trouble.

Putting it in terms closer to my (he)art, you've told me that your style is to write with deliberate spelling mistakes and you don't revise because you feel it takes the soul out of writing. That's a tough proposition to make. You'd have to be really really good or have excellent promotional skills to be able to build on that.

I think it's important to establish if this stylistic decision is just a (conscious or subconscious) decision to avoid perfection because you can't achieve it, or if it's the real deal. Can you play (even complex tunes) completely on beat? Can you repeat the same imperfect play in the exact same way several times? If you can, then you do have something to build on towards that perfect imperfection. If you can't, then your imperfection will be just that.
Post edited March 21, 2014 by ET3D
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Leucius: I've been accused of self promotion (Duh, how else do you promote when none of your friends will do it for you) as well as being too dark and brooding in some of the tracks I've recorded with vocals.
Well, let me rather point out then that you have not posted any link as to allow any of us to hear your art, in terms of shameless self-promotion. You can do so, and possibly even for pleasure of many.

Also, I personally find that promoting a friend, or a worthy unknown, is a privilege, because one can throw forth all the passion and reason without Lutheran self-criticism. Hopefully this might also be so for you.
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KyleKatarn: snip
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Leucius: What you said helps me a great deal. I lost sight of the bigger picture, as bleak as it is. It's certainly helped me the most out of any of the posts in this thread.

This wasn't supposed to even be a thread about me, but it seems to have come out that way.
Glad to help in some way. I don't want to discourage you from doing your own thing either though. I'm not in your shoes, but if you do want to continue making singles/albums, I would suggest to do it with eyes wide open. I wouldn't depend on being able to make an income from it, or even to be able to make enough to pay for equipment to make a net profit. I wouldn't think any less of your friends either. If you love doing it, then do it, but just know beforehand that the odds of hitting it big (really about the only way to make money if only releasing your own albums) are very slim. If it just so happens that you do hit it big and are able to make some money, then that is just a lucrative bonus, but again, I wouldn't depend on that happening. You've heard the theory before that 95% of everything in the content industry is shit, right? :) IMO, what I linked earlier is a more stable and safe way to earn money and build something if that is your goal, but it takes time and isn't as lucrative as one's own (rare) hit single. Making money doesn't have to be the goal either though.

Good luck to you.
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Leucius: SO I took some advice, and uploaded several of my pieces to youtube. I was hoping to find someone who would be interested in making movies, but that responsibility fell on myself, so the "movies" are really just title, song, credits, with a picture.

Here's the link to the song I recorded today. https://www.youtube.com/watch?v=sZOG_WVaBHg
Thank you for posting this. :-)

The off-tune bits are to my ear a little distracting at the earlier part. And I am as such a dub-step fancier, as much as there is good to be had, mind you.

I should quite like to hear your music with rhythmic instruments.

Lady in Black by Uriah Heep, is one idea - Get out of my House by Kate Bush is another. Both I think are sublime, and could enforce either what is on tune; or wander off it.
It's hard to be as good as Uriah Heep. They were in a class almost by themselves. For an example of an off-beat musician, probably the most famous one is Bob Dylan, though his offbeat tends to be more vocally and not so much musically.

Part of it is that I'm not used to jamming with a drummer, part of it is the heart of the music. I know it's a tough sell, which was my point in the original post that I know now I'll most likely never 'make it big' or become a household name.

I have a timing meter in my new software, it's something I should probably get used to using. Another example of off-beat musicians, and probably in some ways more famous than Dylan, are The Grateful Dead.

Also, I appreciate the feedback, and I'm certainly not using this as a copout, but please keep in mind that I have schizophrenia, so my perception is a bit skewed. This might also explain the whininess in the OP, since we're known to get highly agitated from time to time ;)