Compose You cut my quote too early, sun... After "of an emperor", i also wrote, an "and ah, a poet". Since poet is in the same "unflattory string of adjectives", yet it has no negative notion/meaning/interpretation, why would the "jewish" also have one? "Poet" and "jewish", in this sentence, are perfectly neutral, in any sense. Poet shows a character attribute/occupation, and jewish, simply the origin. Now, why should it have a negative meaning, might i ask?

I told this in the past, again, and i really hate to repeat myself. Please, stop hunting conspiracy theories and snakeheaded aliens. Stop putting (wrong/false) meanings behind my written text, when there is clearly not even one present. There were a plethora of other nationality kings (roman, english etc), more cruel or infamous than the one i quoted above, so why would i refer to his ethnicity in a negative tone?

Asking you a single question does not make me a "conspiracy theories hunter".
Would you have written: "the infamous, lecherous, murderous, superstitious, right-handed man of an emperor"? Probably not.

"Poet" is not neutral. It is generally seen as a positive attribute. "and ah, a poet" comes as "shitty, shitty, shitty, shitty, oh wait! there's something good after all"

Erm... because this wouldn't be the first time you adopt an agressive discourse against jews?

Going to the GWAR show in a few hours, so I'll just leave a snippet from "Beat you to Death"

I have no room in my heart for compassion
If you piss me off I will simply start smashin'
Your pleas for reason are simply pathetic
Why waste my words when my fists are poetic?

PRETTY
by Stevie Smith

Why is the word pretty so underrated?
In November the leaf is pretty when it falls
The stream grows deep in the woods after rain
And in the pretty pool the pike stalks

He stalks his prey, and this is pretty too,
The prey escapes with an underwater flash
But not for long, the great fish has him now
The pike is a fish who always has his prey

And this is pretty. The water rat is pretty
His paws are not webbed, he cannot shut his nostrils
As the otter can and the beaver, he is torn between
The land and water. Not 'torn', he does not mind.

The owl hunts in the evening and it is pretty
The lake water below him rustles with ice
There is frost coming from the ground, in the air mist
All this is pretty, it could not be prettier.

Yes, it could always be prettier, the eye abashes
It is becoming an eye that cannot see enough,
Out of the wood the eye climbs. This is prettier
A field in the evening, tilting up.

The field tilts to the sky. Though it is late
The sky is lighter than the hill field
All this looks easy but really it is extraordinary
Well, it is extraordinary to be so pretty.

And it is careless, and that is always pretty
This field, this owl, this pike, this pool are careless,
As Nature is always careless and indifferent
Who sees, who steps, means nothing, and this is pretty.

So a person can come along like a thief - pretty! -
Stealing a look, pinching the sound and feel,
Lick the icicle broken from the bank
And still say nothing at all, only cry pretty.

Cry pretty, pretty, pretty and you'll be able
Very soon not even to cry pretty
And so be delivered entirely from humanity
This is prettiest of all, it is very pretty.

"Cimmeria"
-Robert E. Howard

I remember
The dark woods, masking slopes of sombre hills;
The grey clouds' leaden everlasting arch;
The dusky streams that flowed without a sound,
And the lone winds that whispered down the passes.

Vista upon vista marching, hills on hills,
Slope beyond slope, each dark with sullen trees,
Our gaunt land lay. So when a man climbed up
A rugged peak and gazed, his shaded eye
Saw but the endless vista--hill on hill,
Slope beyond slope, each hooded like its brothers.

It was gloomy land that seemed to hold
All winds and clouds and dreams that shun the sun,
With bare boughs rattling in the lonesome winds,
And the dark woodlands brooding over all,
Not even lightened by the rare dim sun
Which made squat shadows out of men; they called it
Cimmeria, land of Darkness and deep Night.

It was so long ago and far away
I have forgotten the very name men called me.
The axe and flint-tipped spear are like a dream,
And hunts and wars are like shadows. I recall
Only the stillness of that sombre land;
The clouds that piled forever on the hills,
The dimness of the everlasting woods.
Cimmeria, land of Darkness and the Night.

and

"Let’s Live and Love: to Lesbia"
-Catullus

Let us live, my Lesbia, let us love,
and all the words of the old, and so moral,
may they be worth less than nothing to us!
Suns may set, and suns may rise again:
but when our brief light has set,
night is one long everlasting sleep.
Give me a thousand kisses, a hundred more,
another thousand, and another hundred,
and, when we’ve counted up the many thousands,
confuse them so as not to know them all,
so that no enemy may cast an evil eye,
by knowing that there were so many kisses.

Well, not much I can really add here.

Two of my choices, The Road Not Taken and Do Not Go Gentle Into That Good Night have already been posted.

Guess I'll have to post my other favourite, by Goethe, Der Erlkoenig. Although, I first learnt it in the original German years ago, here's the translation:

Who's riding so late where winds blow wild
It is the father grasping his child;
He holds the boy embraced in his arm,
He clasps him snugly, he keeps him warm.

"My son, why cover your face in such fear?"
"You see the elf-king, father?
He's near! The king of the elves with crown and train!"
"My son, the mist is on the plain."

'Sweet lad, o come and join me, do!
Such pretty games I will play with you;
On the shore gay flowers their color unfold,
My mother has many garments of gold.'

"My father, my father, and can you not hear
The promise the elf-king breathes in my ear?"
"Be calm, stay calm, my child, lie low:
In withered leaves the night-winds blow."

'Will you, sweet lad, come along with me?
My daughters shall care for you tenderly;
In the night my daughters their revelry keep,
They'll rock you and dance you and sing you to sleep.'

"My father, my father, o can you not trace
The elf-king's daughters in that gloomy place?"
"My son, my son, I see it clear
How grey the ancient willows appear."

'I love you, your comeliness charms me, my boy!
And if you're not willing, my force I'll employ.'
"Now father, now father, he's seizing my arm.
Elf-king has done me a cruel harm."

The father shudders, his ride is wild,
In his arms he's holding the groaning child,
Reaches the court with toil and dread. -
The child he held in his arms was dead.

(translation by Edwin Zeydel, 1955)


I guess it's just the fantastic and creepy nature that appeals to me!

"If you can fill the unforgiving minute,
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!"

If (Rudyard Kipling)

D.J. Enright

The Typewriter Revolution

The typeriter is crating
A revlootion in peotry
Pishing back the frontears
And apening up fresh feels
Unherd of by Done or Bleak

Mine is a Swetish Maid
Called FACIT
Others are OLIMPYA or ARUSTOCART
RAMINTONG or LOLITEVVI

TAB e or not TAB e
i.e. the ?
Tygirl tygirl burning bride
Y, this is L
Nor-my-outfit
Anywan can od it
U 2 can b a
Tepot

C! * * * stares and / / / strips
Cloaca and + -
Farty-far keys to suckcess!
A banus of +% for all futre peots!!
LSD & $$$

The trypewiter is cretin
A revultion in peotry
" "All nem r =" "
O how they £ away
@ UNDERWORDS and ALLIWETTIS
Without a.

FACIT cry I !!!



My favorite line is the last line. : )

The Dark Angel

DARK Angel, with thine aching lust
To rid the world of penitence:
Malicious Angel, who still dost
My soul such subtile violence!

Because of thee, no thought, no thing,
Abides for me undesecrate:
Dark Angel, ever on the wing,
Who never reachest me too late!

When music sounds, then changest thou
Its silvery to a sultry fire:
Nor will thine envious heart allow
Delight untortured by desire.

Through thee, the gracious Muses turn,
To Furies, O mine Enemy!
And all the things of beauty burn
With flames of evil ecstasy.

Because of thee, the land of dreams
Becomes a gathering place of fears:
Until tormented slumber seems
One vehemence of useless tears.

When sunlight glows upon the flowers,
Or ripples down the dancing sea:
Thou, with thy troop of passionate powers,
Beleaguerest, bewilderest, me.

Within the breath of autumn woods,
Within the winter silences:
Thy venomous spirit stirs and broods,
O Master of impieties!

The ardour of red flame is thine,
And thine the steely soul of ice:
Thou poisonest the fair design
Of nature, with unfair device.

Apples of ashes, golden bright;
Waters of bitterness, how sweet!
O banquet of a foul delight,
Prepared by thee, dark Paraclete!

Thou art the whisper in the gloom,
The hinting tone, the haunting laugh:
Thou art the adorner of my tomb,
The minstrel of mine epitaph.

I fight thee, in the Holy Name!
Yet, what thou dost, is what God saith:
Tempter! should I escape thy flame,
Thou wilt have helped my soul from Death:

The second Death, that never dies,
That cannot die, when time is dead:
Live Death, wherein the lost soul cries,
Eternally uncomforted.

Dark Angel, with thine aching lust!
Of two defeats, of two despairs:
Less dread, a change to drifting dust,
Than thine eternity of cares.

Do what thou wilt, thou shalt not so,
Dark Angel! triumph over me:
Lonely, unto the Lone I go;
Divine, to the Divinity.

Lionel Johnson



""The Dark Angel" also served as one of the influences for the Dark Angels chapter of Space Marines in the Warhammer 40,000 fictional universe. Their Primarch, Lion El'Jonson, is also named after the poet."

Don't usually go much for poetry these days, but there are a few snatches of poetry that have stuck with me. I'll try and post them as they come to mind.

"Better to reign in Hell, then serve in Heaven."

-Milton, Paradise Lost



I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”

-Percy Bysshe Shelley, Ozymandias



`Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.


"Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!"

He took his vorpal sword in hand:
Long time the manxome foe he sought --
So rested he by the Tumtum tree,
And stood awhile in thought.

And, as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.


`Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

-Lewis Carroll, Jabberwocky

Why am I not surprised you would know that poem, and particularly its relation to Warhammer 40K ;)

I agree that GW used to go to great lengths to make the fluff and background lore for their universe extremely interesting. The Space Wolves got a lot from the legends of Beowulf, the Poetic and Prose Eddas, and generic Norse mythology as well.

Here are some poems I enjoy from James Joyce:

Gentle Lady, Do Not Sing

Gentle lady, do not sing
Sad songs about the end of love;
Lay aside sadness and sing
How love that passes is enough.

Sing about the long deep sleep
Of lovers that are dead, and how
In the grave all love shall sleep:
Love is aweary now.


I Hear an Army Charging Upon the Land

I hear an army charging upon the land,
And the thunder of horses plunging, foam about their knees:
Arrogant, in black armour, behind them stand,
Disdaining the reins, with fluttering whips, the charioteers.

They cry unto the night their battle-name:
I moan in sleep when I hear afar their whirling laughter.
They cleave the gloom of dreams, a blinding flame,
Clanging, clanging upon the heart as upon an anvil.

They come shaking in triumph their long, green hair:
They come out of the sea and run shouting by the shore.
My heart, have you no wisdom thus to despair?
My love, my love, my love, why have you left me alone?

I was going to post Darkness by Byron, but I just noticed someone else already posted it. Never fear though, I have more.

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

The Second Coming by Yeats. I just love how ominous it is.

I wanted to follow Yeats' The Second Coming with Wilfred Owen's Dulce et Decorum Est, but since it has already been posted, here instead are two poems about humanity and birds.


I shall begin by learning to throw
the knife, first at trees, until it sticks
in the trunk and quivers every time;

next from a chair, using only wrist
and fingers, at a thing on the ground,
a fresh ant hill or a fallen leaf;

then at a moving object, perhaps
a pine cone swinging on twine, until
I pot it at least twice in three tries.

Meanwhile, I shall be teaching the birds
that the skinny fellow in sneakers
is a source of suet and bread crumbs,

first putting them on a shingle nailed
to a pine tree, next scattering them
on the needles, closer and closer

to my seat, until the proper bird,
a towhee, I think, in black and rust
and gray, takes tossed crumbs six feet away.

Finally, I shall coordinate
conditioned reflex and functional
form and qualify as Modern Man.

You see the splash of blood and feathers
and the blade pinning it to the tree?
It's called an "Audubon Crucifix."

The phrase has pleasing (even pious)
connotations, like Arbeit Macht Frie,
"Molotov Cocktail," and Enola Gay.

Formal Application -Don Baker



Hail to thee, blithe Spirit!
Bird thou never wert,
That from Heaven, or near it,
Pourest thy full heart
In profuse strains of unpremeditated art.

Higher still and higher
From the earth thou springest
Like a cloud of fire;
The blue deep thou wingest,
And singing still dost soar, and soaring ever singest.

In the golden lightning
Of the sunken sun,
O'er which clouds are bright'ning,
Thou dost float and run;
Like an unbodied joy whose race is just begun.

The pale purple even
Melts around thy flight;
Like a star of Heaven,
In the broad day-light
Thou art unseen, but yet I hear thy shrill delight,

Keen as are the arrows
Of that silver sphere,
Whose intense lamp narrows
In the white dawn clear
Until we hardly see, we feel that it is there.

All the earth and air
With thy voice is loud,
As, when night is bare,
From one lonely cloud
The moon rains out her beams, and Heaven is overflow'd.

What thou art we know not;
What is most like thee?
From rainbow clouds there flow not
Drops so bright to see
As from thy presence showers a rain of melody.

Like a Poet hidden
In the light of thought,
Singing hymns unbidden,
Till the world is wrought
To sympathy with hopes and fears it heeded not:

Like a high-born maiden
In a palace-tower,
Soothing her love-laden
Soul in secret hour
With music sweet as love, which overflows her bower:

Like a glow-worm golden
In a dell of dew,
Scattering unbeholden
Its aereal hue
Among the flowers and grass, which screen it from the view:

Like a rose embower'd
In its own green leaves,
By warm winds deflower'd,
Till the scent it gives
Makes faint with too much sweet those heavy-wingèd thieves:

Sound of vernal showers
On the twinkling grass,
Rain-awaken'd flowers,
All that ever was
Joyous, and clear, and fresh, thy music doth surpass.

Teach us, Sprite or Bird,
What sweet thoughts are thine:
I have never heard
Praise of love or wine
That panted forth a flood of rapture so divine.

Chorus Hymneal,
Or triumphal chant,
Match'd with thine would be all
But an empty vaunt,
A thing wherein we feel there is some hidden want.

What objects are the fountains
Of thy happy strain?
What fields, or waves, or mountains?
What shapes of sky or plain?
What love of thine own kind? what ignorance of pain?

With thy clear keen joyance
Languor cannot be:
Shadow of annoyance
Never came near thee:
Thou lovest: but ne'er knew love's sad satiety.

Waking or asleep,
Thou of death must deem
Things more true and deep
Than we mortals dream,
Or how could thy notes flow in such a crystal stream?

We look before and after,
And pine for what is not:
Our sincerest laughter
With some pain is fraught;
Our sweetest songs are those that tell of saddest thought.

Yet if we could scorn
Hate, and pride, and fear;
If we were things born
Not to shed a tear,
I know not how thy joy we ever should come near.

Better than all measures
Of delightful sound,
Better than all treasures
That in books are found,
Thy skill to poet were, thou scorner of the ground!

Teach me half the gladness
That thy brain must know,
Such harmonious madness
From my lips would flow
The world should listen then, as I am listening now.

To A Skylark - Percy Bysshe Shelley

All you've been thinking about
Do anything you want and let emotion rule your mind
And now you say you dream about doing it anyway
Oh yeah, just tell me where it's on your mind (on your mind)
Sit in my whip and see the stars (and see the stars)
Show me just who you are (show me just who you are)
You know I really hold you down (hold you down)
And when you not around (when you not around)

I'll hold you down
(I'm the one gon' hold you down)
(I'm the one gon' hold you down)
I'm on my way
(I'm the one be rolling up in that Bentley truck)
(Cause I'm on the up)
Want you here right now
(You the one that got all I need)
(Give me all of you or all of me back)
I'm on my way
(I'm the one that's gon' hold you down)
(I'm the one gon' hold you down)

I had some problems back home (so I heated up)
I ain't with that bullshit at all (then I laid it down)
Maybe it's that Vagina in me (nigga say something)
Have a young nigga go so hard
Through it all you stuck with me
Through it all you never ducked off like a coward when he hit me
Get me? Girl I swear to God you the real one and you know it
And I don't hurt anyone of ya'll for the real one and you know it
And I hold it down
Started from the bed, ended up the on the floor
And now let that ass up off the ground
I'm a put you on my shoulders, let me give you what's in store
Girl, you deserve it, all the time you been servin'
Away from the realest nigga in it, I'm a take you away
And I hold you down, (I'm a hold you down) I'm a hold you down baby




I'm the one gone hold you down
Put you in that Ghost so you enjoy the town
Even when the roads is down
You mesmerized by the flying sky
We gotta socialize and cherished times
This shit is deeper than love
I pull up in that Lamborghini, the doors in the sky
Shit is straight up suicide
You in that new Bentley truck
New, new Bentley truck
Oh, oh, oh, ooh
We've been playing in that Versace
We go to Abu Dhabi for a hobby
Your body my new Bugatti


Live an expensive life and I'm just getting started
I get instant hype cause you forever my lady
Forever my baby (real life)
Hold you down, hold you down
Girl you helped me up when I was down
In and out, girl
Hold you down like I'm supposed to
Real nigga, I know you, real nigga, I know you