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isn't it great how u.s. companies managed to influence the laws of another country?
see, it's not just the common man that pisses the rest of the world off, it's the goddamn companies too.
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Zhirek: For more info about this subject watch this fantastic speech about the way that copyrights are in fact strangling creativity as opposed to encouraging it.
I'd recommend it.

Great talk. I've been a fan of Lessig for a while, as although I don't think he goes quite far enough with the copyright reforms he calls for, I do think he's currently the most reasonable, well-spoken, and insightful proponent of copyright reform out there, and is good at coming up with solutions that have a real chance of working. Thanks for putting up that link, and I hope people reading this thread take the time to watch that talk.
the only problems I see about copyright law, is how it's strangling creativity, as opposed to not affecting people who aren't creative with the copyrights they infringe on
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Zhirek: For more info about this subject watch this fantastic speech about the way that copyrights are in fact strangling creativity as opposed to encouraging it.
I'd recommend it.
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DarrkPhoenix: Great talk. I've been a fan of Lessig for a while, as although I don't think he goes quite far enough with the copyright reforms he calls for, I do think he's currently the most reasonable, well-spoken, and insightful proponent of copyright reform out there, and is good at coming up with solutions that have a real chance of working. Thanks for putting up that link, and I hope people reading this thread take the time to watch that talk.

I hope so as well, that people watch his presentation
When I put up the link I immediately went to watch it again.
It is good stuff. And it is very hard to disagree with him on this talk.
He is simply asking for balance, which is hard to deny, unless you belong to one of the two extremist parties he was talking about.
Post edited April 18, 2009 by Zhirek
"I'm just simply going to say this:
Your views on the copyright laws indicate you have never tried to make money off something you created, and have too limited of a view to see past "Well, I don't want to pay for a 10 year old video game."
Writers often struggle to make money until they make it big. Are you saying that we should now make them PAY 5 years later to restore their rights to make money off their book, for another 5 years? It would make it even harder for writers to become full-time professional writers.
Same thing with musicians. A small ind musician should only be able to make money off their album sales for 5, maybe 10 years?
Game companies shouldn't be able to still make money off f old games that people STILL want to play after 10 years?"
Did you know that most "copyright protections" are not mean at all for the original creators of the "copyrighted materials", but rather for the big conglomerates that PUBLISHED them, or in some cases, to the rich greedy "heirs" of those creators? Thats the reason why the movie/music/etc industry pushes these copyright things so eagerly down peoples' throats. They don't care about the "author, creator, whatever"'s rights. They are only securing their bottom line, and their checkbooks. Mickey Mouse and Bugs Bunny should have entered the public domain a long time ago, but they, since they have so much money, bribed congress to modfiy the ORIGINAL COPYRIGHT LAW, to extend copyright protection for mickey and bugs. And who says it wont be "extended" again, until, the end of the days?
These guys were guilty as Hell, nobody in their right mind would argue that.
However, I suspect we'll see the morons running the big media companies now just assume it's business as usual. Rather than trying to modernize their distribution model, these asshats will just sit back and believe that soon CDs will be selling by the million and movies will be grossing nine figures on a regular basis. The losers here weren't the guys from TPB...the losers were consumers.
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Crassmaster: These guys were guilty as Hell, nobody in their right mind would argue that.

Guilty of what exactly?
In your own words please.
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DarrkPhoenix: Finally, I'll finish up by saying that people with your perspective on copyright strike me as incredibly childish. This is because creative works are not developed in a vacuum, but rather are built upon thousands of years of collected culture. Billions of creators before you have laid out this culture that you have freely immersed yourself in, but then the moment you use this culture to create some slightly new amalgam of it you greedily clutch it to your chest, screaming "Mine! Mine! All mine!" Grow up.

Thank you for insulting me for having a different view point...
Creative works may not be developed in a vacuum, but regardless, the creator of them SHOULD have ownership of them. (And I'm not talking about mongo corporations or 2 generations of heirs. I would say if in the hands of an individual, it would extend for their lifespan, if owned by a company, 20-50 years)
Why exactly should the fact that culture inspires our creativity mean that we shouldn't own what we create? What you're basically saying is "nothing is new, artists are just putting a different spin on it." Well, pray tell, how does that make it not new?
Then, there's the other side of copyright laws, the REAL side of them, that you're not considering with this idea. Copyright laws aren't there to stop internet piracy, that's just the only laws currently in place that can really be used.
Copyrights really exist so that.. say you write a book and publish it, copyright laws give you some measure of protection from someone taking your book and re-publishing it under their own name.
We'll go back to my writer example from earlier.
Guy writes a book, publishes it. It sorta sells a little bit, picks up a little by the end of his 10 year ownership, the name of the book is getting out there and people are looking for it.
Well, as soon as the writer's copyright expires, someone else snatches up the book, gives it a once over and re-publishes it in their own name.
Now they're raking in the money because the book was just starting to get popular, and the average person will either fail to notice it's a different author, or not care. Leaving the original author with nothing, and no legal action to pursue against the vulture.
The same could happen to anyone. Including musicians, who would also no longer be able to perform their music live, because someone else had the copyright to it.
It wouldn't be a problem, if people were good honest people willing to work for their money. But, that's not going to happen. I imagine if the copyright laws got changed to what you have expressed there would probably be people who devoted their lives to vulturing copyrights.
The laws could use refining, I do not deny it. But the refining you're proposing is what we call a "knee jerk" reaction. Taking something that is way too far in one direction, and instead flinging it in the opposite direction.
Of course, what REALLY needs a refining is society. We shouldn't even have NEED for copyright laws.
Oh, and food for thought:
Could it actually be that the copyright laws actually encourage artists to think further and further outside of the box?
Could it perhaps be that if copyrights expired so soon, all that would ever be done, is the same things that were successful, over and over?
Look at music over the last 50 years. Look at how many new types of music have popped up, how many variants of each genre there are.
(Purely speculatory as without temporal manipulation we can't really tell the answer. I'm not even sure I believe it, it's simply an interesting things to consider.)
You're going to tell me I'm wrong. I know you are, so don't even bother.
But here's the simple fact. You can't prove that the way I see it is wrong, any more than I can prove that the way you see it is wrong. As we are just arguing view points.
Now, if you could stop treating me like a selfish 5 year old for having a slightly more literal view of 'intellectual property', we can get along fine.
Post edited April 19, 2009 by Zolgar
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MLR: Completely deserved, and their attitude was so bad they deserve it just for being idiots.

I agree, that outfit is why we have crappy intrusive DRM in the first place, a year in jail does seem rather harsh though.
Well Said Zolgar, moreover it is human nature that is to blame.
Humans are selfish and will take what they can.
Humans who have some decency will not.
Seems like things were mostly DRM free until people started taking things for free.
The irony now is the funky awesome pirates sailing on the ship of freedom are taking everything back and fighting against the DRM they pirates helped institute and build.
Who should we thank for DRM and locked Mp3s,etc. People who started stealing it back when the internet starting raping creators and publishers.
I know the Corps are greedy and I want things to change, but Selfish people made other selfish corps become worse.
Just imagine if people never started stealing games and music, things would be so much different now.
PS: Thank you for the link to TED Zhirek, I always enjoy their presentations, I agree with what that gentleman was saying.
PPS: Zhirek I am wondering how valid you think my points are, thank you.
Post edited April 19, 2009 by yazleb
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yazleb: Well Said Zolgar, moreover it is human nature that is to blame.
1.Humans are selfish and will take what they can.
2.Humans who have some decency will not.
3.Seems like things were mostly DRM free until people started taking things for free.
3.The irony now is the funky awesome pirates sailing on the ship of freedom are taking everything back and fighting against the DRM they pirates helped institute and build.
3.Who should we thank for DRM and locked Mp3s,etc. People who started stealing it back when the internet starting raping creators and publishers.
1.I know the Corps are greedy and I want things to change, but Selfish people made other selfish corps become worse.
2.Just imagine if people never started stealing games and music, things would be so much different now.
PS: Thank you for the link to TED Zhirek, I always enjoy their presentations, I agree with what that gentleman was saying.
PPS: Zhirek I am wondering how valid you think my points are, thank you.

Hey yazleb
It would only be polite for me to answer your post since you're addressing me.
Nice to hear that you enjoyed the Larry Lessig presentation.
Can't help wondering why you are wondering what I think of the validity of your points, though.
But anyway, here it goes.
I've distilled your post and think that basically you're saying 3 things (correct me if I'm wrong)
1. People are selfish
2. If only people weren't selfish
3. Pirates are the cause of DRM
I will discard point 2 because it's not exactly a point, moreover it's not possible because selfishness is human nature, basically you're saying if only people weren't people.
I agree wholeheartedly with you on point 1 and it is a very valid point. A point which a lot of people who try to improve the world tend to forget.
I don't know about point 3, it's also an extremely complex point to disagree, or event to agree with.
My opinion is that DRM is caused by corporate people who were blindly trying to do "something" because their shareholders demanded it, based on nothing. It probably started(read: went wrong, because I'm sure DRM existed long before that) with Sony's rootkit to prevent cd-rom players from reading cd's.
I've been involved in loads of IT projects and prior to the start of a project a cost-benefit analysis should be carried out. So basically in the rootkit project, you have to predict that sales go up for rootkit cd's.
But if you think about it for two or three minutes you come with a couple of questions:
a) How many people who buy cd's only have a computer to play them on?
b) If people can't copy their cd's any more by using a pc is that incentive enough for them to buy it?
c) How easy is it to circumvent this technology?
For some years I used my computer for everything (music/tv/games). Point b can be clarified by conducting a decent survey and the answer to point c is: very easy.
CD's have an audio output. The rootkit cannot influence that output on normal cd players. So anyone with easy recording equipment can make a copy of the cd.
So in the rootkit DRM example I think it's caused by bad management and the lack of a cost-benefit analysis.
Then there's the limited install part of some DRM technology.
Once again I don't think it's caused by pirates. I think it's caused by the false notion that second hand sales of games are hurting the industry and that they therefore tried to change the product a customer buys into some sort of lease contract and use the pirates as a way to enforce this upon their customers.
My guess is that Piracy is used as some sort of universal cause for all these stringent DRM measures and that this is also what companies are telling the media.
So back to the validity of your point: are pirates the cause of DRM.
Well.......
Yes of course (surprised?)
If it weren't for piracy it's hard to sell a faulty broken product (which DRM is in my opinion) to gullible customers.
So I agree with both of your points.
Mr. Lessig made a lot of valid points (watch here): we have to find some sort of balance, that we have to remember that extremism begets extremism and we must embrace new technology not fight it.
See Zhirek, this is exactly why I addressed you, because you brought up things I didn't even think of.
And I appreciate your detailed response and I do agree that piracy should eventually help corporations see the futility in what they are doing and that hopefully like the TED speaker addressed strike a medium.
What I love about Steam, GOG, Gamersgate, and Impulse is that they bring people affordable hassle free solutions to purchasing games, that are in my mind ZOUNDS better than piracy.
We also need companies to price regionally at a very sensitive price point to help prevent piracy, if you need an example please look at what 1C Company did in Russia and how they beat many pirates with their low price point, etc.
I live in Istanbul (currently finishing my BS in Computer Animation in 2 weeks here in Florida) and I know first hand how hard it is to actually buy games legitamently.
Since I am going into the games industry, god willing soon after graduation, I plan to do something personally to help fight piracy in Istanbul. I've got some good schemes worked up.
But what it boils down to where I live, is that people need to be given a choice and in Istanbul they don't have any good ones.
80-150 Lyra for a game that is months old, we don't get many new games released here if at all, publishers ignore this country!
or I go down to the corner store ask to see some box of DVDs and pay 5 lyra.
I personally buy all my games online from Steam, GOG, Impulse, and D2D
and while I've been in America studying it has felt great to have been able to actually support companies by buying real copies of everything.
Anyways I hope I did not rattle on, and I again thank you for your post, you are full of great information.
I just hope one day Turkey can get regional distribution with price points sensitive to our region from larger publishers, if not this place will stay very pirate heavy.
Why would anyone ignore Turkey and wait eons to sell you guys new games? Turkey is a booming up-and-coming country, and to have this country resort to pirating/paying stupid amounts of cash for games on Steam is ridiculous. Hell, we're a region and we get pretty much every single company selling us localized games for cheap. (And we still pirate.)
Post edited April 19, 2009 by michaelleung
Great arguement by Larry Lessig on TED, thanks for the link Zhirek.
@yazleb: Those companies who bemoan piracy shoot themselves in the foot every time that they ignore places like Turkey. Every time they mention the thousands of pirated copies of their products, they should consider how easy they are making it for the pirates to lure people in, by treating the world as if we are not in the internet age.
The internet has opened up the world for those lucky enough to have it, and every time we see how easy it is for pirates to provide high quality, quick and easy access to content we must look to our media companies and ask, why can you not provide this for us legally?
The law is obviously not working for the rights holders, and it isn't working for the consumers, so why not change it? Why not make it more applicable to the modern world?
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Zolgar: Creative works may not be developed in a vacuum, but regardless, the creator of them SHOULD have ownership of them.

You keep asserting this, but offer next to nothing in the way of any argument to support your assertion. A lie repeated does not make a truth, and an assertion repeated does not make an argument. If you're having trouble figuring out where to start, I'll give you a bit of a hint. When you say that creators should have control over their creations, what you are really doing is asking society to, through the force of government, control what other people can do with ideas and information they come into possession of. If you're going to ask society to restrict peoples' freedoms in such a way you need to make a strong case for why doing so provides a net benefit to society as a whole. So far you have not done so.
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Zolgar: Why exactly should the fact that culture inspires our creativity mean that we shouldn't own what we create? What you're basically saying is "nothing is new, artists are just putting a different spin on it." Well, pray tell, how does that make it not new?

You do own what your create, right up to the point where you share it with someone else. At that point you now both own that creation, and can freely share it with other people. What you are actually demanding is not simply ownership, but control over what others may do with ideas and information they come into possession of. To take the original issue to the point of absurdity, think of it in terms of quid pro quo: if creative works should be fully controlled by their owners and their owners compensated for every use, then when someone takes bits of pieces from numerous works to create a new work shouldn't they have to compensate the owners of all those works they drew from? Considering how much culture we immerse ourselves in daily, the costs would add up pretty quick. Now, naturally this is completely absurd, but is what ultimately flows from the claim creators have some kind of intrinsic right to control and profit from their creations. This is to serve not as any kind of justification for creators not having control of their works once released to the public (this requires no justification, as it is simply an inherent property of ideas and information), but rather serves only to highlight the hypocritical selfishness of the belief that one should have an intrinsic right to control what others can do with ideas and information that one was the source of.
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Zolgar: Copyrights really exist so that.. say you write a book and publish it, copyright laws give you some measure of protection from someone taking your book and re-publishing it under their own name.

Sigh. If you're going to make claims about the purpose of copyright law it would behoove you to actually understand the basis of the relevant laws you're talking about. Since you live in the US like me, the purpose of copyright laws is clearly spelled out in Article I, Section 8, Clause 8 of the constitution:
"To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."
Copyright law, as it exists in the US, is to promote the progress of the arts and sciences, so if you're going to come at the matter from a legal perspective then you should be prepare to phrase all of your arguments in the context of this purpose.
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Zolgar: Guy writes a book, publishes it. It sorta sells a little bit, picks up a little by the end of his 10 year ownership, the name of the book is getting out there and people are looking for it.
Well, as soon as the writer's copyright expires, someone else snatches up the book, gives it a once over and re-publishes it in their own name.
Now they're raking in the money because the book was just starting to get popular, and the average person will either fail to notice it's a different author, or not care. Leaving the original author with nothing, and no legal action to pursue against the vulture.

If you're going to continue this argument you should learn at least the basics of copyright, and at the very least learn to distinguish between copyright and accreditation (two completely different things). While someone would be free to start republishing the book and collecting money from it, they'd still have to credit the original author with the book's creation (there are laws and legal remedies surrounding accreditation that are separate from copyright). The original author would still be free to continue selling their book, and could easily make it clear which copies they were selling so that people could ensure their money went to the actual author (this distinction could be easily enforced through trademark law).
I should point out at this point that pretty much this exact process occurs in my own industry with generic drugs. Once the patent on the drug expires several generic versions of a drug will make it to market in one or two years. The company that held the patent has typically recouped their investment (plus quite a bit) by that time, but still continues to sell their drug and get a revenue stream from it (although a reduced one from when the patent was in effect). The major results are 1) the prices of the original drug and the generics become much lower because the market actually becomes competitive and 2) other companies start looking to build off of and improve upon the original drug to create new and better drugs (while the patent was still in effect there's a risk of being sued once such a drug moves into development). This whole process allows the company that made the drug make enough money to make it worth their time, allows the public access to cheaper products after the patent runs out, and allows other companies to engage in further invention based off of the initial invention. Want to tell me why there's an issue with any of this, or why the situation with copyright is somehow fundamentally different? Oh, and in case you're curious patents last for 20 years from the filing date, which is typically around year 3 or 4 of the 8-10 year research and development process.
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Zolgar: The same could happen to anyone. Including musicians, who would also no longer be able to perform their music live, because someone else had the copyright to it.

Once copyrights fall into the public domain the work contained in them cannot be copyrighted again. Please better inform yourself before making any further baseless statements.
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Zolgar: The laws could use refining, I do not deny it. But the refining you're proposing is what we call a "knee jerk" reaction. Taking something that is way too far in one direction, and instead flinging it in the opposite direction.

The knee-jerk reaction would be completely doing away with copyright. What I proposed earlier is what I consider to be a good balance that allows copyright to provide maximum benefit to society as a whole.
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Zolgar: Of course, what REALLY needs a refining is society. We shouldn't even have NEED for copyright laws.

In the words of James Madison, "If men were angels, no government would be necessary." Yet we have government because it is a practical necessity. Likewise, we have copyright for practical purposes, and it's important to never lose sight of what those purposes are, and continually evaluate the state of copyright law in terms of to what extent it is working towards or against those purposes.
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Zolgar: Oh, and food for thought:
Could it actually be that the copyright laws actually encourage artists to think further and further outside of the box?
Could it perhaps be that if copyrights expired so soon, all that would ever be done, is the same things that were successful, over and over?

I'd go ahead and file your first statement under "duh" as encouraging creators to create is exactly why copyright was instituted. But once copyright laws become too long they actually starting becoming harmful towards this purpose. There is less incentive for creators to create new works if they can just sit back and collect payments on what they had previously created 10-20 years earlier. Additionally, as more and more of our culture gets locked down under copyright people trying to create new things run a greater and greater risk of finding someone at their door saying "Hey, that was my idea! Pay me!" Both of these issues have already been occurring for some time.
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Zolgar: You're going to tell me I'm wrong. I know you are, so don't even bother.
But here's the simple fact. You can't prove that the way I see it is wrong, any more than I can prove that the way you see it is wrong. As we are just arguing view points.

I'm not going to tell you you're wrong, as I typically don't believe in such absolute statements. I will tell you (and indeed, already have told you) in which cases I disagree with you, and just why I disagree with you. Also, it's not my intention to "prove" any point to you. I engage in these kinds of discussions purely because I enjoy it; any other reason I'd consider a waste of my time.
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Zolgar: Now, if you could stop treating me like a selfish 5 year old for having a slightly more literal view of 'intellectual property', we can get along fine.

When I am presented with a view that, as argued, basically boils down to "people should have to pay me" it's only a natural result that I consider such a view selfish and childish. I don't see why this should bother you, as I'm nothing more than some random schmo on the internet to you, but if for some reason it does then maybe you should take a closer look at your views and try to understand just why I view them as I do.