bazilisek: I'm really disturbed by the fact your post got downrepped, but I really think you're missing the point there. Orcish said it best right
here – it's not a pre-purchase, it's not an investment, it's good old patronage. A concept that has worked for centuries and which has produced some of the best works of art ever created. An artist doesn't have money, but I do, and I wish to see what the artist could do with it. I scratch his back and he scratches mine. End of story.
The fact that Kickstarter became a big fashionable bubble and that a lot of people use it in an entirely wrong way, well, that's not really Kickstarter's fault, is it? The concept is still perfectly sound.
I wouldn't dream of backing anything proposed by a random guy off the street, but the likes of Tim Schafer, Jane Jensen and Chris Avellone? Any time.
Fair play - if it's a renowned developer with a reputation to lose, then yes, it's certainly more trustworthy than the majority of the mass of no-name Kickstarters. But these high-visibility ones are a minority. There are literally hundreds of Kickstarters there, some with absolutely no work finished, others with convincing looking concept art and videos of alpha builds, and yet there is no way to tell if these people are genuine, or whether this has all been put together just to get the money and run.
I do agree with Orcish in that patronage in general is a worthy concept, but at the same time, I still maintain that the problem with Kickstarter is that it makes it far too easy to look serious while not actually being serious, and I can't agree that the concept of
online patronage is sound. It's a concept that screams "abuse me".
If Kickstarter is to become a serious concept, then it needs to move away from the trust model and actually establish formal contracts between the backers and creators, or it'll become nothing more than a magnet for scammers and con-artists.