tinyE: Why is it the last ten or so years the Japanese make the best horror films, and they do for the most part. A lot of people will bring up del Toro but I don't really consider his masterpiece "Pan's Labyrinth" to be horror. What's more is we Americans can't even remake them right. The Japanese "The Eye" is one of the scariest movies ever, the American version sucks. The same can be said of the previously mention "Ju-On".
Guillermo del Toro did make a few horror movies in his day, before he started directing movie adaptations of underground comic-book (anti-) heroes Blade and Hellboy; El Laberinto del Fauno is a great movie, with a bit of a horror aesthetic, but it's arguably a horror movie...it's more a reflexion on humanity's inherent evil and our inability to dream and believe in fairy tales as soon as we grow up. That, and all the Spanish Civil War subject matter. If you are interested in Del Toro's previous movies, I would highly recommend
El Espinazo Del Diablo/The Devil's Backbone.
Regarding J-horror, well, I think that with all the Hollywood remakes and tropes it generated, it's something I'm getting really fed of. Every horror movie, these days, seems to use at least one of J-horror's techniques, such as flickering apparitions, long-haired little girls, close-ups of eyes or nails or hair, possession and/or haunting plots, people walking on the ceiling, etc. I'm an open advocate of the western-made horror of the 70s and 80s, and it's nice that a group of new directors is starting to appear, distancing themselves from the J-horror standards, and making more "classic" horror films, like
The Signal,
The Innkeepers,
(as much as I abhor found-footage horror films, this one is surprisingly good -- oh, and it's also an anthology, something that seldom works, but they somehow make it entertaining) and the British-made [url=http://www.youtube.com/watch?v=Pzoh5XvVVjE]Donkey Punch. As to J-horror, like I said previously, the two movies I can think of that I really liked, off the top of my head, are Audition and Kansen (Infection). I enjoy the J-horror classics (Ju-On, Ringu, Dark Waters, etc), but I can't stand how director's milked them dry and how overexposed to them we've been during the whole of the 21st century, so far, with no end in sight. Even the brilliant (sorry if this offends anyone, it's just my opinion, nothing more, nothing less)
Evil Dead remake fails by turning to some J-horror imagery that doesn't quite fit with the spirit of the originals.
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IAmSinistar: Man alive you people have got some great tastes in films. And I'll add to the "Asian horror that is better in the original" the titles One Missed Call and Pulse. Also good, and thankfully un-remade, are Uzumaki, the Tomie films, The Booth and the Tales Of Terror From Tokyo short film collections.
How did I forget One Missed Call and Uzumaki? The One Missed Call series is only worth for the first movie, though. As far as Japanese movies go, I much prefer cyberpunk ones, like the
series, [url=http://www.youtube.com/watch?v=0nHfldl5FzQ]Electric Dragon 80.000V,
Rubber's Lover and
964 Pinocchio, though these can hardly be considered horror (they still freaked me the hell out, especially the last two).
dr.schliemann: As soon as I read the thread's title, some movies came to mind, but then I read your post and get confused. What do you exactly mean speaking of B-movies?
I am asking this because, in my opinion, only a couple of the movies you listed are real "B" movies and you surely should not put Suspiria and Deep Red in this category.
First, I suspect Dario Argento is a pretty big name in Italy, right now, and his movies are more "artsy" then other directors', but we have to face it: his early movies did have some cheesy effects and really bad acting, and Suspiria is one of them. They may not be as "b-movie" material as some of the other movies I mentioned, but they're not a-listers, as well. He also comes almost every year to the horror b-movie festival hosted in Lisbon, MoteLX (LX being the official international abbreviation for Lisbon), so I wouldn't think he was upset with his films being considered b-movies.
Now, I really have to thank you, Italians, for Mario Bava, Lucio Fulci, Dario Argento and, on a whole different note, Sergio Leone, The Master. I'm being very, very serious about it. I highly appreciate your suggestions, getting to know more Italian directors, albeit trashy movies ones', is something I'm looking forward to.
Grazie!