Posted November 06, 2016
*** MEDEA *** by Pier Paolo Pasolini (1969)
This is an adaptation of the classic Greek myth. Medea was a foreign sorceress who helped Jason to get the golden fleece. They got together but their relationship turned sour over the years so she seeks revenge when she hears that Jason is getting married to another wife.
Most of the Greek mythology in the cinema has been represented through the Hollywood point of view as those classic tales offers a good supply of adventures. But being US, those adaptations naturally lack of European traditional roots and a sense of the spiritual realm inherent to those myths. Here comes our dear Pasolini who drops all the fluff (it's better to read the story beforehand as there aren't much dialogues) to create his own representation of an era filled with mysticism in an undefined world vaguely set around the Meditteranean Sea. The wonderful soundtrack also adds to the sense of the worldwide spirit of traditionalism as it mixes classic folk music from faraway lands (even Japan). In itself, the movie gets back to the core of the tale by being unapologeticely raw and dark as the tragedy unfolds. Being a famous opera singer, Maria Callas (my grandmom had a lot of vinyls dics of her), plays the role of Medea with her guts, always between hatred and sadness (she also played the role in her operas). Aside from the beautiful cinematography and scenery, I really liked the care on details of the various historic costumes (the blu-ray is heavily recommended to appreciate the work done on this aspect).
So, yeah, this is a fucking good movie and even more so if you dig stuff about the traditional European spirit.
The "trailer" (just some stills) which has some excerpts of the soundtrack:
https://www.youtube.com/watch?v=k1GAQwyAKgQ
This is an adaptation of the classic Greek myth. Medea was a foreign sorceress who helped Jason to get the golden fleece. They got together but their relationship turned sour over the years so she seeks revenge when she hears that Jason is getting married to another wife.
Most of the Greek mythology in the cinema has been represented through the Hollywood point of view as those classic tales offers a good supply of adventures. But being US, those adaptations naturally lack of European traditional roots and a sense of the spiritual realm inherent to those myths. Here comes our dear Pasolini who drops all the fluff (it's better to read the story beforehand as there aren't much dialogues) to create his own representation of an era filled with mysticism in an undefined world vaguely set around the Meditteranean Sea. The wonderful soundtrack also adds to the sense of the worldwide spirit of traditionalism as it mixes classic folk music from faraway lands (even Japan). In itself, the movie gets back to the core of the tale by being unapologeticely raw and dark as the tragedy unfolds. Being a famous opera singer, Maria Callas (my grandmom had a lot of vinyls dics of her), plays the role of Medea with her guts, always between hatred and sadness (she also played the role in her operas). Aside from the beautiful cinematography and scenery, I really liked the care on details of the various historic costumes (the blu-ray is heavily recommended to appreciate the work done on this aspect).
So, yeah, this is a fucking good movie and even more so if you dig stuff about the traditional European spirit.
The "trailer" (just some stills) which has some excerpts of the soundtrack:
https://www.youtube.com/watch?v=k1GAQwyAKgQ