Vainamoinen: Using the label "SJW" is an official certificate of an IQ in the one digit range.
Apologies for butting into an exchange of yours with another poster, but 'SJW' is as valid an invective as 'nazi', 'comicsgater' and assorted aspersions your side of the political divide uses.
As I said above, you can not take single instances of loss and look at them completely isolated from any context, then slap the label "go woke, get broke" on them.
Of course not. That's precisely why you examine them in light of the context we are discussing here.
The Oscars have been in decline for many decades, in parallel to the movie theatre business in general.
You really believe it's just a coincidence that their lowest ratings ever are happening right now? Or that, in a year where post-pandemic box office earnings rose by 112%, the ceremony recorded their lowest viewing rate ever?
Gillette isn't publicly traded, but a quick look at Gillette India's stock market development during the last 20 years quickly squashes the idea of a downward trend that an advertisement sparked. They peaked at the end of the fiscal year 2019, pretty much exactly one year after the ad released, then went downhill with Covid, but are gaining again right now.
You're missing the point. P&G reported an impairment charge of $8 billion in the fiscal fourth quarter, resulting in a net loss of $5.24 billion after Gillette's 'toxic masculinity' ad. After that close shave (ha), they haven't pulled such a stunt again.
EA's little drop came after a truly motherfucking meteoritic rise of just about one thousand percent between 2012 and 2018. You know, the era of Dragon Age, the Mass Effects, all games that worked really hard on inclusivity and representation. They survived Covid nearly unscathed and aren't even particularly affected by the present stock market downturn. I'd say buying EA stock would be a solid investment right now.
Again, I'm afraid you're missing the point - the one about it not being a cheat code but merely signaling an inevitable downward trend, loss of consumer confidence and lack of focus to the detriment of the end product. Neither Dragon Age I or Mass Effect I were 'woke' by any means, and one need look no further than Bioware's current state to see where their chosen direction took them.
Marvel movies and series, in my admittedly limited view, are the same story told a thousand times [...] If you look at your average Marvel movie, you would of course say it failed because it's crappy or repeats all the old clichees, not because it has e.g. a strong female protagonist. Because if you did, you'd have to tie the failure of other Marvel movies to them having male protagonists.
You certainly won't find me defending Marvel's quality or merits, but one can't deny their overwhelming success until a certain point. A point in which the focus shifted from telling the best story you can within the constraints of the 'dude or dudette with superpowers' formula and faithfulness to the source material to correcting perceived social ills and injustices via The Message and not caring about the characters' legacy.
Boy Scouts of America went to their knees after after a bombardment with sexual harrassment lawsuits. Damn, I wish we could do the same thing with the Catholic church. Then again, the problem with both institutions clearly is their Christian-conservative organisation, and I kind of insist on your agreement here.
You won't find my agreement, as I don't share your anti-clerical/religious view, but that's neither here nor there. On the topic at hand, it's hard to financially manage lawsuits when you lose 425,000 members after your so-called 'gender inclusive name change', for one.
Ghostbusters Afterlife (a pretty fucking woke movie with a female protagonist that was plenty awesome and had some great words by Dan Akroyd about the matter, google them!) succeeded on half the budget
You seem to be laboring under the assumption that the inclusion of a female protagonist automatically makes a movie woke. That's not the case at all. Unlike the 2016 mess,
Afterlife positioned itself in the actual Ghostbusters' continuity and provided ample fanservice, instead of replacing the characters with some 'don't need no man' distaff versions and antagonizing the fanbase. You know, the people you're actually counting on to watch the movie.
No idea what the problem with Lightyear is, but if a movie is at 75% on Rotten Tomatoes, it's usually pretty great.
It made a fraction of what
Toy Story 4 did. Even for a spinoff, that's bad.
Netflix cancelling shows left and right period, because as mentioned above they're being ground to a fine powder by wokeriders Apple, Disney and Amazon.
Netflix sadly still dominates the streaming ratings, getting six out of the top 10 spots. But their insistence in subverting every new property they get their hands on is slowly killing them.
And they're making new shows aimed at a younger target audience now that are woker and woker.
I think you're confusing Gen Z with
Millennials.
One billion is literally peanuts to Disney. The best movie in the entire Star Wars series made 5 billion at the box office, the rather repetitive sequel made three times as much for no reason whatsoever. This number pointing game tells us nothing. Absolutely nothing.
A bit of an overstatement, but ok, let's say one billion may be peanuts to Disney's coffers. It certainly isn't in box office numbers. The final chapter of a successful 'trilogy' making
substantially less than the first is not how it's supposed to go.
Rings of Power is losing viewers! Big secret: Every show does. That's why they eventually go off the air.
Again, that's really not the way it's supposed to go. At least not with entertainment juggernauts of the Lord of the Rings' caliber. For comparison, GoT much-decried 8th season saw growth until the final episode, and its viewership
quintupled between seasons 1 and 8.